
The Old Masters
Public-domain masterworks — the paintings everyone knows, and the ones only the museums remember.
The Collection
Each house is a small, curated museum devoted to a single canon — the masterpieces everyone knows beside genuinely rare finds most people have never laid eyes on. All of it restored, printed to gallery standard, and priced for a real home.

Public-domain masterworks — the paintings everyone knows, and the ones only the museums remember.

Classic Japanese woodblock art — ukiyo-e and shin-hanga, from the great wave to the quiet snow scenes.

The Cusco School — the radiant sacred painting of the colonial Andes, arquebusier angels and all.

Wine in art — the Dionysian canon, from classical revels to café posters, for the rooms where bottles open.

Illuminated manuscript pages — Kells, the Très Riches Heures, bestiaries — the art of the medieval book.

Alchemical and Hermetic manuscript art — Splendor Solis, Atalanta Fugiens — the emblem books of transformation.
The pictures people used to think with — esoteric printed art, from emblem plates to the Waite–Smith tarot.

Natural history's finest plates — botanical, celestial, ornithological, antiquarian — the world catalogued in ink.
The great flower books, printed for the wall — the golden age of botanical illustration.

The masterworks of anatomy — fine art from the history of medicine, drawn when science was still an art.
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The greatest antique maps in history — 15th to 17th century, when the edge of the map was the edge of the known.

The great celestial maps — constellations, cosmographies, and the sky as its charters imagined it.
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Public-domain film posters and lobby cards through 1930 — cinema's first golden age, on paper.

The world's great poster schools, organized as national wings — an atlas of the printed street.

Drinks advertising, 1880–1930 — absinthe, beer, and bitters, from the era when the bar was an art gallery.